sorry, I've been busy

OK, I admit it. I'm a lousy blogger. I don't show up here often enough. I'd love to say that I promise to do better but that would be a lie. So here I am.

Since my last visit, I've posted signed up at Imagekind, a nifty site where you can purchase some of my work in a variety of sizes of framed prints or giclees on gallery-wrapped canvas. You can go here to check out the art that I have for sale. I only have a little itty-bitty online gallery presence at the moment, but it's growing.

I'm finished an artist statement for my Imagekind address, which has proven to be much more of a challenge than I thought. Why is it, she asked, that most artist statements are simultaneously pretentious and incomprehensible? I'm hoping that mine is neither of these, and actually say something. I also made an artist Facebook page, which is still sort of under construction.

I'm also near completing a three-painting series of the ravens from the bible. You can see a little of my work-in-progress on my Facebook page.

For my next trick, I'm experimenting with grounds, mediums, paint and stencils to increase my vocabulary. I bought a bunch of 12 x 12 inch squares of canvas on cardboard and stencils and am awaiting a shipment of paint and other goodies with eager anticipation. I'm going to try some of the techniques in Patti Brady's book, Rethinking Acrylic.

I've been reading this and getting really excited about just playing for a while.

Oh - one more thing. Kelly is going to photograph me at the end of the month so that I have some decent professional images to use in for marketing. So, all of that to say - I'm apologizing in advance for not showing up here for a while. I'll be making art. Happy Easter! He is risen!

St John's Bible

On Valentine's day, Walt & I drove to Canton to visit the Canton Art Museum's Sacred Voices exhibit. The think we most wanted to see was the St. John's Bible, a work commissioned by Benedictine monks in Minnesota and produced by Donald Jackson, the queen of England's calligrapher over the course of 12 years. The bible was hand lettered by Jackson and a number of other artists on Vellum and illustrated using quill pens, gold leaf and inks made of semi-precious stones and egg yolk - much in the same way illuminated manuscripts were done in the Middle Ages. It is shockingly, stunningly beautiful. The images below don't really do it justice...

It was a perfect Valentine's day date for us. Although the bible is no longer at the museum, the rest of the Sacred Voices exhibit can be viewed through March 2, 2014.

working artists round 2 now underway

We started a new twelve week session of the Working Artist's Initiative, Cleveland West (my unofficial title) about a month ago...which looks like it is going to be longer than 12 weeks in duration. First there was Seek Week at the church, which conflicted with our first meeting, and it seemed like a better use of an evening to spend it talking with God so a few of us gathered for corporate prayer.
Two weeks later, we had a great first meeting, with three new faces that were last minute adds - which gives us a bigger group than the six we're supposed to have, but not enough to launch a second group. I'm hopeful that after this session someone in our group will want to branch out and start another - I really want to see a local network develop.
Then the weather went the way the weather has been going this winter - and deposited several inches of snow in bitter cold on the day we were to meet again, making the driveway of the home where we are currently meeting impassible. So no meeting. I'm eager to get back together this coming week. We have some really talented people - all writers and visual artists - and some really interesting projects. We'll have to figure out as a group how to handle the extra folks - whether to double up on presentations some nights or add extra meetings to our schedule.
I'm working on (OK, mostly not working, staring at the next canvas) of the Raven series. I cranked out one painting and an waiting for a warmer day - next week perhaps - so I can open a window when I varnish it. It went relatively well... and then I got completely blocked on the next canvas. No clear vision. Praying, searching for images, getting more and more frustrated...I finally have shelved it for the moment and am working on a piece that is purely experimental, to see how a canvas interacts with collage and perhaps some other media. It's a breath of fresh air. Walt says I have a "Louvre complex". He may be right - so I am enjoying just playing right now with no investment in the results.
I've also been doing research on the business of art; how and where to have giclee prints made, how to price art, etc. This is the part of making art that I used to hate and am trying to love. Technology has made it so much easier - with digital on demand printing, on-line galleries, and the ability to show your portfolio - at least initially - in digital images via email instead of carting a bunch of stuff to a gallery only to discover they're not really interested in it after all. I'm encouraged and excited to see where all of this goes... it's God's project and I am along for the ride.

under the microscope

I love the Working Artist's Initiative! We completed our first group in November and another group is about to start. It was so wonderful both for accountability and to have other creative people to talk to - for support and encouragement, and just to have someone who speaks my language. I was able to complete five paintings. God is so good, he sent me a woman of many talents, one of which is being an amazing professional photographer. Kelly Tooman took photos of my first batch of work, which I just learned how to watermark and I'm excited to share them.
This is my Under the Microscope series, all of which are loosely based on microscopic images. I became fascinated by how beautiful God's designs are at a microscopic level. These patterns were always there from the beginning, even though we weren't able to see them until relatively recently. I think He really loved making them, and then was waiting, like a proud father, for his children to unwrap and share his delight in a surprise gift that had been prepared thousands, and perhaps millions of years before.

Axons 24X48 Acrylic

Liposomes 36X36 Mixed Media

Micro Structures 2 30X36 Acrylic

Lycopodeum 24X24 Acrylic

Micro Structures 130X36 Mixed Media